May 29, 2012

THE ESBER EFFECT

During Australian Fashion Week we introduced the debut menswear collection of womenswear designer Christopher Esber, which was, to say the least, a highlight of the week. To celebrate the capsule, we exclusively photographed our favourite men's looks. 


The designer made his name with a conceptual approach to ready-to-wear clothing, and where in other cases such a description conjures a comic or unwearable aesthetic, Mr Esber’s is quite the opposite. A fusion of textures, often employing leather, mesh and silk, Mr Esber’s work is razor-sharp in its clean cuts: pencil skirts, crisp, collared shirting, knife-pleated blazers. And while the masculinity inherent in such garments may appear an easy transition into menswear, many underestimate the challenges inherent in men’s tailoring: they’re not only technical, but there are far greater boundaries and established rules than in womenswear.

Yet despite his background, his offering was a seamless extension of the women’s looks he presented: both components felt accomplished in their own right, but there was a coherency between the two that many designers fail to achieve, particularly when shown alongside one another. Mr Esber sought to experiment with sportswear shapes in his shirt-making, cutting garments from crisp cotton in t-shirt-like patterns. “I want to get shirting down pat before I really explore blazers and suiting,” he explains of the pieces, which are created in Australia from cotton, leather and linen.


All clothing by Christopher Esber; Prada shoes & socks;